Guitar Hmong Mong Tonal Guide
I developed in the 1980’s this Guitar Green Mong Tonal Guide below, along with other tonal device schemes, in order to bring out from the shadowy, mystic South-East Asian tonal language world, a simple order of sounds in the effort to demystified the tonal languages spoken by the
Mong Hill Tribesman of the Himalayas.
Protestant Christian Missionary Norman Oetker
NOTE: The final letter in the English written Mong was a tone indicator, thereby a word ending letter signified how the word tone range would sound from high to a breathy, low gutteral.